The audio technica AT4040 side-address condenser recorder features a large, sophisticated diaphragm that has been adequately tensioned to produce smooth, realistic sound. The AT4040 combines design, techniques, and artistry to give a wide dynamic range, low noise, and high SPL capacity for optimum adaptability. The Rode NT1 is a very quiet microphone, having a self-noise rating of only 4.5dBA. Its body is built of 6061 aluminum that has been nickel plated after machining for corrosion protection.
What are the differences between the audio technica AT4040 and the Rode nt1? These two microphones have several differences and seminaries. Such differences include their sound quality, weight, their features and specifications. You have to get the features for the both microphones for you to know the best microphone for you to choose.
The audio Technica at4040 and the rode nt1 are discussed in depth in this article. You’ll also find out what these two microphones have in common and what they have in common. You’ll also discover a brief comparison table and answers to some frequently asked questions to help you grasp the differences and similarities.
The comparison between the Audio Technica AT4040 and the rode nt1 in table form
| Audio Technica at4040 | Rode nt1 | |
| Frequency range | 20Hz-20kHz | 20Hz to 20kHz |
| Impedance | 100 ohms | 100Ω |
| Weight | 360g | 440g |
| Sensitivity | -32Dbv/Pa | -29.0dB |
| Output | XLR | XLR |
| Maximum SPL | 145dBSPL | 132dBSPL |
| Address type | Side | Side |
Audio Technica at4040 vs. Rode Nt1
1. Technica at4040
# Its features:
- Construction
The AT4040 is identical in appearance to the other 40-series variants. On the body, which is finished in black nickel-plated brass, there is a wide wire-mesh screen in front of and behind the capsule. This feature accounts for roughly 60% of the mic body’s total height. The vast size of the housing, combined with its symmetrical form, helps to avoid unwanted internal reflections.
The AT logo can be located on the microphone’s front side. Simultaneously, you can find a set of plastic slide controls near the back of the body’s base, almost flush with the top of the chassis. On the left, a first-order high-pass filter with an 80Hz cutoff frequency is active, while a 10dB pre-attenuator is active on the right.
The microphone’s serial number is hidden within the XLR socket, and the output XLR cable is stored within a stalk that droops from the bottom of the mic.
- Specifications
The company’s website has detailed technical information regarding the 4040. A standard frequency-response plot and a polar response chart, which is a little meaningless, are among the options. They show that the mic’s frequency response is extraordinarily flat between 20Hz and 4 kHz. There are a couple of noticeable peaks in the answer above 4 kHz, with peak amplitudes of roughly 5dB, around the frequencies of around 6.5 and 11 kHz.
The high end appears to drop off above roughly 16 kHz abruptly, yet the entire frequency response, according to Audio Technica, has a range of 20Hz to 20 kHz. The published polar response plot shows a feeble, conventional cardioid response, but only at a single frequency of 1 kHz, demonstrating this.
- Warranty
It comes with an Audio-Technica 5-year guarantee, so it’ll remain in the microphone locker for a long time. Therefore, it is essential to choose the best device with the most extended warranty to avoid additional charges of buying another one if it is faulty.
2. Rode nt1
# Features
1. The frequency response of this instrument is relatively flat, with modest rounding cuts at 20 to 30Hz and 16 k to 20 kHz. It’s also highly adaptable.
2. The Rode NT1 has a rich tone overall without a boom bass end, and the high future is exceptionally bright without being “shrill” or anything similar.
3. In addition to the shock mount, the NT1 comes with the best pop filter I’ve ever seen, which has two layers instead of one and disperses plosives significantly better than standard pop filters. The NT1 comes in two colors: black and silver.
4. Because it must be attached directly to the shock mount, this pop filter is only applicable with the Rode NT1, the only model with this capability.
5. The Rode NT1 uses Phantom Power sources of both 24 and 48 volts.
Advantages of rode nt1
- It’s the most exemplary Pop filter ever
- It’s a top-notch shock mount.
- It is made of high-quality materials.
Cons of rode n1
- Other microphones may have a higher sibilance than this one.
- There is no PAD or Low-Cut Switch on this model.
Advantages of the Audio Technica at4040
- It has a condenser capsule with a tilt toward the outside.
- Outstanding short-range responsiveness.
- It has a warm and detailed sound.
- It has a high-quality shock mount installed.
Drawbacks audio Technica at4040
- you must correct a couple of minor high-frequency response abnormalities.
The differences between the Audio Technica AT4040 and the Rode NT1 are as follows
1. The audio Technica at4040 weighs 12.7 ounces, whereas the rode nt1 weighs 13.93 ounces.
2. The AT4040 has an 82.0dB signal-to-noise ratio, while the rode nt1 has a 90.0dB signal-to-noise ratio.
Audio Technica’s AT4040 and Rode’s NT1 have several similarities
a. They’re both cardioid in their motion.
b. Their connectivity is based on a wired network.
c. The frequency range of both microphones is 20Hz-20 kHz.
You might be interested to read also our another comprehensive article of:
Audio Technica at2035 vs. Blue Yeti– Easy Comparison and Audio Technica at2020 vs. Shure Sm7b- Quick Differences
Frequently asked questions:
- What’s the deal with the Rode NT1’s popularity?
It’s suited for a calm atmosphere because of its flat response, cardioid recording pattern, excellent sensitivity, and minimum self-noise.
Conclusion
The NT1 has the SM6, a sturdy suspension shock mount that protects the microphone from extraneous forces that could cause unwanted rumbling and vibrations in the audio transmission. It has a telescopic arm and a detachable pop shield adjusted in two directions for maximum application flexibility.
Finally, whichever microphone you choose, you may rest assured that it will be of the highest possible quality. It is at several recording studios worldwide, each of which is a work of art in and of itself. The AT-4040 is an outstanding professional-quality microphone that complements any studio setup in terms of value for money. Therefore, it is essential to review the article above before buying any device.