The AT8024 Stereo Mic is a simple yet effective option for recording high-resolution sound for video applications. Selectable line-cardioid Mono and internally matrixed half stereo filming modes allow you to focus the recordings on a single sound source or spread the area for exceptional audio realism. The Rode Videomic Pro is a significant upgrade over built-in microphones on a DSLR or video camera. It’s a good microphone, but to get the most out of it and get the best sound quality, your subject needs to be close to it.
So, what are the differences between the AT8024 Stereo mic and the rode videomic pro? The rode videomic pro sound is superb when you’re close to it, with more depth and clarity than the built-in microphone on my DSLR, but the quality quickly diminishes as you get further away. The AT8024 gives significantly better sound quality than the camera’s internal microphone.
This article compares and contrasts the audio Technica at8024 and the Rode VideoMic Pro. It also includes the critical distinctions between these mics. A brief comparison chart and answers to frequently asked questions are also included. For a deeper understanding, read the article.
Comparison table between the rode video mic pro and the audio technica AT8024
|Rode video mic Pro||Audio Technica at8024|
|Frequency range||40Hz-20kHz||40Hz to15kHz|
|Maximum SPL||134 Db SPL||148dB SPL|
|Dynamic range||120dB||104dB STEREO106dB Mono|
|Polar pattern||Super cardioid||Line-cardioid, LR stereo|
Audio Technica at8024 vs. Rode Video Mic Pro
#Features of the Rode Video mic Pro
1. The capsule/line tube and windscreen of the Videomic Pro have been improved, while the best-in-class Rycote Lyre stabilizing technology remains.
2. Those who prefer to shoot swiftly and unattended should use the Automatic Power Function.
3. The built-in battery door makes battery changing a breeze, and you won’t have to worry about it becoming lost.
4. Decision-making abilities The Videomic Pro can be powered by the RDE LB-1 Lithium-Ion Rechargeable Cell, 2 AA Batteries, or Micro USB.
5. The user will have complete control over the source audio signal while employing digital switching, saving time in editing and post-production.
#Features of the audio technica AT8024
1. The Audio Technica at8024 is an external microphone designed for use with DSLR cameras and other video recorders. It gives significantly better sound quality than the camera’s internal microphone.
2. You may capture high-resolution sound in any setting by choosing between mid-side stereo and line-cardioid stereo recording formats.
3. There’s a three-position adjustable input pad as well as a low-frequency roll-off option.
4. The use of integral rubber shock mounts eliminates vibrations and mechanical camera sounds.
5. A compact, lightweight design with an integrated shoe mount.
The AT8024 is a fixed-charge condenser microphone designed for DSLR cameras and other action cameras. The microphone’s adaptability allows high-resolution audio to be caught in any situation, including Mono and mid-side stereo operation.
The microphone can be used anywhere and is powered by one 1.5V AA battery (included). The maximum sound pressure level (SPL) is obtained when the AA battery is at its best. When the mic is appropriately powered, a green/red LED power indicator on the top of the unit lights green; the hand shines red when the battery power is low.
A three-position pad on the Audio Technica AT8024 allows you to adjust the attenuation settings. The microphone also has an 80 Hz high-pass filter setting that lets you choose between flat response and low-frequency roll-off to reduce picking up of room reverberation, undesired ambient noise, and mechanically associated vibration.
The microphone is enclosed in a sturdy shell and an integrated shoe mount that accommodates significant camera shoes. Two rubber shock mounts shield the microphone from vibrations and mechanical camera noise. It comes with a stereo plug output with a 3.5-millimeter L-type connector on the equipment cable. Strain is lessened, and vibration noise is reduced when a snap on the mount keeps the line in place.
This kit also includes a windscreen as well as a fuzzy windscreen.
A comparison of the Audio Technica at8024 vs. the Rode Videomic Pro
1. The audio Technica at8024 weighs 114g, while the rode videomic pro weighs 85g.
2. The Audio Technica at8024 is a line-cardioid microphone, but the Rode video mic is a cardioid microphone.
Rode Videomic Pro and Audio Technica at8024 have certain similarities
1. They both have a frequency range that begins at 40Hz.
2. The microphones are both black in hue.
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Frequently asked questions:
- Where does the filter in the rode video mic Pro go?
Answer; the microphone’s power, filter, and volume controls are conveniently situated on the back face for quick access. A customizable high-pass filter at 80Hz prevents low-frequency sound such as air conditioning units and traffic from being captured, in addition to the microphone’s natural 40Hz-20 kHz responsiveness.
- What are the best video production microphones?
Answer: A vast range of instruments and techniques, including lavalier mics, external audio recorders, wireless systems, boom poles, and many other accessories, are employed to generate superb sound in film projects. On the other hand, a better on-camera microphone will improve the camera’s overall acoustic performance, which is why the majority of experienced production professionals use them.
- Does the video mic pro need a battery?
Unlike other microphones, it does not require a battery; instead, it promises to draw power from your computer’s mic port. Because of its compact size and absence of battery, it weighs just 2.6 ounces, and it rests on a Rycote Lyre shock mount to keep it steady.
Finally, using an external microphone rather than the camera’s built-in microphone results in significantly superior sound quality. In various situations, capture modes such as mono or stereo line-cardioid capture can apply to incollect high-quality audio. The Audio Technica at8024 can also withstand intense sound sources without distorting the audio transmission.
Finally, the shock mount on the Pro mic increases the microphone’s general stability, which improves the overall build quality. The audio line isn’t removable with the Pro, but it is with the Pro Plus, making it easier to store. Finally, the microphone muffler on the Plus does a better job of hiding distant noises than prior models.